GHOST IN THE SHELL: STAND ALONE COMPLEX

AND HOW I GOT TO DESIGN THE LAUGHING MAN LOGO.

From the mid to late 90s, I had been designing for a Japanese game developer and music label, Frognation. At the time, I had and sent the guys in the Tokyo office a load of Prototype 21 stickers, which were liberally plastered around. Prototype 21 was a clothing label I designed for which ran from 1992 to 2002. 
Dai Sato, one of the guys at Frognation, is also a scriptwriter at Production I.G. and had been working on early drafts for the animated TV series of Ghost in the Shell - Stand Alone Complex.  His laptop being covered in those stickers I had sent were seen by the director of Stand Alone Complex, Kenji Kamiyama. 
He loved the stickers and as he was looking for a graphic designer, one thing led to another. I was sent a brief and invited to submit designs for the Laughing Man, a hacker central to the storyline. That was the summer of 2001. 
For this Laughing Man, it was the first time Production IG had chosen to work with a non-Japanese creative.

#GhostintheShell #StandAloneComplex #LaughingMan #ProductionIG #KenjiKamiyama #DaiSato #Logo #LogoDesign #GraphicArt #GraphicDesign #Paul Nicholson #Number3 #3 #III
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  • number3__GHOST IN THE SHELL: STAND ALONE COMPLEX

    AND HOW I GOT TO DESIGN THE LAUGHING MAN LOGO.

    From the mid to late 90s, I had been designing for a Japanese game developer and music label, Frognation. At the time, I had and sent the guys in the Tokyo office a load of Prototype 21 stickers, which were liberally plastered around. Prototype 21 was a clothing label I designed for which ran from 1992 to 2002.
    Dai Sato, one of the guys at Frognation, is also a scriptwriter at Production I.G. and had been working on early drafts for the animated TV series of Ghost in the Shell - Stand Alone Complex.  His laptop being covered in those stickers I had sent were seen by the director of Stand Alone Complex, Kenji Kamiyama.
    He loved the stickers and as he was looking for a graphic designer, one thing led to another. I was sent a brief and invited to submit designs for the Laughing Man, a hacker central to the storyline. That was the summer of 2001.
    For this Laughing Man, it was the first time Production IG had chosen to work with a non-Japanese creative.

    #GhostintheShell #StandAloneComplex #LaughingMan #ProductionIG #KenjiKamiyama #DaiSato #Logo #LogoDesign #GraphicArt #GraphicDesign #Paul Nicholson #Number3 #3 #III

  • rustinbendrixBeautiful 😂what have I been doing with my life @vanillabordeaux
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