Throwing it back to the first of three shoots I've done with the great Amy Adams. This one was early enough that no one thought I was being retro by shooting with analog cameras and polaroids with no computer on set. These days it takes some explaining when clients and crew don't get to see every frame of a shoot as it happens. It was a collaboration of trust between the photographer and the subject and it's something I still take to heart no matter what format I use.
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